Are you keeping your eyes open?
Sunday is the only day with a silent melody. —Nkwachukwu Ogbuagu
Scattered Words: Poems for Jernee Timid Loadholt is available now! Have you gotten your copy? Hardcover|eBook

Sunday is the only day with a silent melody. —Nkwachukwu Ogbuagu
Scattered Words: Poems for Jernee Timid Loadholt is available now! Have you gotten your copy? Hardcover|eBook


Wayne Donald stares outside their upstairs bedroom window. She is scratching the curly, messy knot of hair on her head while she huffs and breathes outwardly in exasperation.
“You gon’ tell Charlie ’bout them chickens of theirs cluckin’ about in the yard again, Kinley Chris, or do I have to put on my knickers and go on over there and do it myself?”
Wayne Donald is in rare form this morning. It is a raging hot Sunday in the depths of the South, and wandering chickens are the last things she wants to deal with the day before going back to school. The girls had been out for Christmas break, enjoying every moment of freedom their grandmother would allow, and now… the countdown to back-to-school has begun.
“Who out there?! Which ones? Some, I don’t mind. I put some chicken feed out near the fence yesterday morning—might be sopping that up.”
“Looks like Helen, Lucy, and Quack.” She squints her eyes to look closer outside of their upstairs bedroom window—zooming in with imaginary binoculars. “Yeah… that’s definitely Helen, Lucy, and Quack.”
Kinley Chris looks up from an adventurous book she had been reading, keenly stares at her younger sister, and nods in approval.
“Long as it’s not those other demon birds, I say, let them be. Charlie Rhett and ‘nem are at church anyway at this hour. It ain’t no need bangin’ on their door about some harmless chickens just cuz you don’t like the way they cluck.”
“They irritate me, Kinley Chris, and I just can’t take it. Why you gotta put that chicken feed out on Sunday mornings when I wanna sleep in?”
“Who are you to tell me where and when to put chicken feed, Wayne Donald? It’s late morning, and you shoulda been up about an hour ago anyway. Don’t get on my bad side before noon.”
Wayne Donald shuffles off to her bed, plops her flimsy body back down, tucks her face underneath the sheets, and fake-sobs. Through the sheets, she continues her argument with her big sister.
“I’m just sayin’… they cluck and squawk and make so much noise while they’re eatin’, Kinley Chris. How can you even read with all that racket walkin’ in through the window?”
“You were just up, Wayne Donald. You could’ve closed the window, silly. They aren’t that loud, and it’s too early to be complainin’. Get yourself a few more winks in, and I’ll go downstairs in a bit and fetch us some breakfast. If Helen, Lucy, or Quack laid some eggs, we’ll have us a mighty fine batch of eatin’.”
To this, Wayne Donald does not debate. She turns over, snuggles up into a ball, and closes her eyes. “Fifteen more minutes,” she says. “Fifteen more minutes.”
This piece is my offering for this week’s Melissa’s Fandango Flash Fiction Challenge, #353. I love it when these two sisters start speaking to me. When I saw the prompt roll out this past Monday, and those chickens staring back at me, I said, “Ha! Wayne Donald and Kinley Chris,” so here we are. Thank you so much for reading.
Have you gotten your copy of Séduire: Serial Tales & Flash Fiction at Lulu in E-Book & Paperback versions, or Amazon in Paperback (only) yet?
I am on Substack as well. Poking the Bear’s Belly for Fun is a place of healing, as I discuss recent events related to my previous place of employment, including racism and discrimination, the growth I experienced after resigning from that company, and the foibles and overall experiences of life. I welcome your visit.

Have you gotten your copy of Séduire: Serial Tales & Flash Fiction at Lulu in E-Book & Paperback versions, or Amazon in Paperback (only) yet?
I am on Substack as well. Poking the Bear’s Belly for Fun is a place of healing, as I discuss recent events related to my previous place of employment, including racism and discrimination, the growth I experienced after resigning from that company, and the foibles and overall experiences of life. I welcome your visit.

“I’d never would’ve made it this far without you” is a straight-up testimony that resonates with me.
There were many days when I didn’t feel like getting out of bed, but my eyes were open. My limbs were agile. My heart was beating. I had breath in my lungs.
God did it, and why, I may never know, but I’m so glad he keeps doing it.
This dropped in my spirit during my workout on my Gospel workout mix, and maybe it’ll work for you, too.
I feel like I’m not the only one who needs to be reminded — who really needs to know that God hasn’t given up and will not give up on you.
Hang in there, please. Hang in there.
This has been one of my favorite segments on my blog in a very long time! Thank you for joining me for Opening Lyrics to Songs That I Love!
“I Apologize” is a song by American recording artist Anita Baker, released in October 1994 as the second single from her fifth album, Rhythm of Love (1994). The song peaked at number eight on the US Billboard Hot R&B Singles chart and number 74 on the Billboard Hot 100. It won her a Grammy Award for Best Female R&B Vocal Performance.
“I Apologize” entered Billboard‘s Hot R&B Airplay chart on November 5, 1994, and rose up to number 5 at the end of February 1995. The song hit number 1 on Billboard‘s Adult R&B Airplay chart on February 4, 1995, spending 38 weeks on the chart. At the same time, the song peaked at number 8 on the R&B chart.[1] In the UK, “I Apologize” broke into the pop singles chart at number 80 on July 2, 1995, and dropped out the next week.[2]
British magazine Music Week gave the song three out of five, writing, “Baker goes jungle? But her strong vocals retain the original feel of these tracks, creating a soulful jungle splice-up.”[3] Chuck Campbell from Knoxville News Sentinel felt that here, the singer “glides into the subtlety of a more refined arrangement”.[4] Jonathan Bernstein from Spin declared it as “a request-line perennial-in-the-making”.[5]—Wikipedia
If you’ve watched the video, I should not have to say much about this song. It’s soft. It’s mellow. It’s beautifully arranged. And Anita’s voice is the Chef’s kiss. Everything it needs to be, it is, and I appreciate its classic and timeless existence. I always will.
Thank you for joining me on this musical journey. It has been fun sharing some of my favorite songs and their captivating opening lyrics.

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