Helen, Lucy, and Quack

Flash Fiction: A Wayne Donald and Kinley Chris Adventure

The image above is by Erwin Bosman on Pexels. It depicts three chickens perched on a branch. The chickens appear to ascend in height from left to right; the leftmost chicken being mostly brown, the one at center being mostly white, and the rightmost being mostly black.

Wayne Donald stares outside their upstairs bedroom window. She is scratching the curly, messy knot of hair on her head while she huffs and breathes outwardly in exasperation.

“You gon’ tell Charlie ’bout them chickens of theirs cluckin’ about in the yard again, Kinley Chris, or do I have to put on my knickers and go on over there and do it myself?”

Wayne Donald is in rare form this morning. It is a raging hot Sunday in the depths of the South, and wandering chickens are the last things she wants to deal with the day before going back to school. The girls had been out for Christmas break, enjoying every moment of freedom their grandmother would allow, and now… the countdown to back-to-school has begun.

“Who out there?! Which ones? Some, I don’t mind. I put some chicken feed out near the fence yesterday morning—might be sopping that up.”

“Looks like Helen, Lucy, and Quack.” She squints her eyes to look closer outside of their upstairs bedroom window—zooming in with imaginary binoculars. “Yeah… that’s definitely Helen, Lucy, and Quack.”

Kinley Chris looks up from an adventurous book she had been reading, keenly stares at her younger sister, and nods in approval.

“Long as it’s not those other demon birds, I say, let them be. Charlie Rhett and ‘nem are at church anyway at this hour. It ain’t no need bangin’ on their door about some harmless chickens just cuz you don’t like the way they cluck.”

“They irritate me, Kinley Chris, and I just can’t take it. Why you gotta put that chicken feed out on Sunday mornings when I wanna sleep in?”

“Who are you to tell me where and when to put chicken feed, Wayne Donald? It’s late morning, and you shoulda been up about an hour ago anyway. Don’t get on my bad side before noon.”

Wayne Donald shuffles off to her bed, plops her flimsy body back down, tucks her face underneath the sheets, and fake-sobs. Through the sheets, she continues her argument with her big sister.

“I’m just sayin’… they cluck and squawk and make so much noise while they’re eatin’, Kinley Chris. How can you even read with all that racket walkin’ in through the window?”

“You were just up, Wayne Donald. You could’ve closed the window, silly. They aren’t that loud, and it’s too early to be complainin’. Get yourself a few more winks in, and I’ll go downstairs in a bit and fetch us some breakfast. If Helen, Lucy, or Quack laid some eggs, we’ll have us a mighty fine batch of eatin’.”

To this, Wayne Donald does not debate. She turns over, snuggles up into a ball, and closes her eyes. “Fifteen more minutes,” she says. “Fifteen more minutes.”


Part I, Part II, Part III, and Part V.

This piece is my offering for this week’s Melissa’s Fandango Flash Fiction Challenge, #353. I love it when these two sisters start speaking to me. When I saw the prompt roll out this past Monday, and those chickens staring back at me, I said, “Ha! Wayne Donald and Kinley Chris,” so here we are. Thank you so much for reading.


Have you gotten your copy of SéduireSerial Tales & Flash Fiction at Lulu in E-Book Paperback versions, or Amazon in Paperback (only) yet?

I am on Substack as well. Poking the Bear’s Belly for Fun is a place of healing, as I discuss recent events related to my previous place of employment, including racism and discrimination, the growth I experienced after resigning from that company, and the foibles and overall experiences of life. I welcome your visit.

“Lord I Need You”, Because I Truly Do

Lady Harmony: Too Street for the Church, Too Church for the Street

Lady Harmony: Lord, I Need You

Every morning/before my feet touch the ground/
In the afternoon/when I’m up moving around/
In the evening/when I lay my head down
When I can’t see for myself/

I need you to have my back, Lord…


Have you gotten your copy of SéduireSerial Tales & Flash Fiction at Lulu in E-Book Paperback versions, or Amazon in Paperback (only) yet?

I am on Substack as well. Poking the Bear’s Belly for Fun is a place of healing, as I discuss recent events related to my previous place of employment, including racism and discrimination, the growth I experienced after resigning from that company, and the foibles and overall experiences of life. I welcome your visit.

He Keeps On Waking Me Up/Thank You Lord

Lady Harmony, He Keeps On Waking Me Up/YouTube

“I’d never would’ve made it this far without you” is a straight-up testimony that resonates with me.

There were many days when I didn’t feel like getting out of bed, but my eyes were open. My limbs were agile. My heart was beating. I had breath in my lungs.

God did it, and why, I may never know, but I’m so glad he keeps doing it.

This dropped in my spirit during my workout on my Gospel workout mix, and maybe it’ll work for you, too.

I feel like I’m not the only one who needs to be reminded — who really needs to know that God hasn’t given up and will not give up on you.

Hang in there, please. Hang in there.

Peace and blessings.

Opening Lyrics To Songs That I Love

Bonus: Anita Baker, I Apologize

Operator, get my baby on the line/
‘Cause just the other night we had a horrible fight/
I admit that I, I was out of control/
But I still love my man with my body and soul/

Anita Baker, I Apologize via YouTube

This has been one of my favorite segments on my blog in a very long time! Thank you for joining me for Opening Lyrics to Songs That I Love!

I Apologize” is a song by American recording artist Anita Baker, released in October 1994 as the second single from her fifth album, Rhythm of Love (1994). The song peaked at number eight on the US Billboard Hot R&B Singles chart and number 74 on the Billboard Hot 100. It won her a Grammy Award for Best Female R&B Vocal Performance.

“I Apologize” entered Billboard‘s Hot R&B Airplay chart on November 5, 1994, and rose up to number 5 at the end of February 1995. The song hit number 1 on Billboard‘s Adult R&B Airplay chart on February 4, 1995, spending 38 weeks on the chart. At the same time, the song peaked at number 8 on the R&B chart.[1] In the UK, “I Apologize” broke into the pop singles chart at number 80 on July 2, 1995, and dropped out the next week.[2]

British magazine Music Week gave the song three out of five, writing, “Baker goes jungle? But her strong vocals retain the original feel of these tracks, creating a soulful jungle splice-up.”[3] Chuck Campbell from Knoxville News Sentinel felt that here, the singer “glides into the subtlety of a more refined arrangement”.[4] Jonathan Bernstein from Spin declared it as “a request-line perennial-in-the-making”.[5]Wikipedia

If you’ve watched the video, I should not have to say much about this song. It’s soft. It’s mellow. It’s beautifully arranged. And Anita’s voice is the Chef’s kiss. Everything it needs to be, it is, and I appreciate its classic and timeless existence. I always will.


Thank you for joining me on this musical journey. It has been fun sharing some of my favorite songs and their captivating opening lyrics.

Opening Lyrics To Songs That I Love

#10: Sam Smith & Kim Petras, Unholy

Lucky, Lucky Girl, she got married/
To a boy like you/
She’d kick you out if she ever, ever knew/
‘Bout all the shit you/
Tell me that you do/

Sam Smith & Kim Petras, Unholy. YouTube, via Vevo

This will probably be my favorite segment on my blog in a very long time! Welcome to Opening Lyrics to Songs That I Love!

Unholy” is a song by British singer Sam Smith and German singer Kim Petras. It was released on 22 September 2022 through EMI Records and Capitol Records as the second single from Smith’s fourth studio album Gloria (2023) and as a bonus track on Petras’ debut studio album Feed the Beast (2023). It was teased by Smith on their TikTok account a month before its release and went viral due to its use in thirst trap-style videos. Produced by IlyaOmer FediBlake SlatkinJimmy Napes, and Cirkut and written by them alongside Smith and Petras, “Unholy” is a sexually charged electropopdance-pop, and synth-pop song with choral and hyperpop influences. It uses the Phrygian dominant scale and its lyrics are about a family man who cheats on his wife at a strip club.

“Unholy” received mostly positive reception from critics, many of whom considered the song a standout from Gloria and praised its sound as catchy yet unusual, while others found the song less transgressive than it was intended to be and criticized Petras’s verse. —Wikipedia

Sam Smith is such a versatile artist. I am taken aback by the range he displays musically, and he never ceases to amaze with his song arrangements and the collaborators he chooses. This song has a banger for a beat; instrumentally, it could stand alone and still get all the accolades it has accumulated.

I blast this baby at wild decibels every time I hear it. I make no apologies for it.

If I can feel the music and the lyrics speak to me, too, you’ve instantly lasso’d me in as a fan.


Thank you for joining me on this musical journey. I said I would share 10 songs and their opening lyrics; however, I feel like a bonus song should be shared. And it will be–next week!

See you then!