I am Tunde Johnson

How watching The Obituary of Tunde Johnson awakened repressed feelings

Actors Steven Silver and Spencer Neville as “Tunde Johnson” and “Soren O’Connor” from Out Magazine

Nothing prepares you for the triggers of life — things that have been repressed and only dug up when the nights are cold, and a biting tongue and eager ears want you to confess.

I had not been feeling well late last week and into this current one, and one of the ways I gifted myself peace was to watch The Obituary of Tunde Johnson. What I did not prepare for was how intense the movie was, what it would stir up within me, and how hard I worked to bury some memories I thought would never be exhumed.

Tunde Johnson is a gay Nigerian-American teenager who is in a secret relationship with his school’s white lacrosse champion Soren. Soren is closeted and officially dating popular girl Marley, Tunde’s best friend since childhood. The day of Soren’s birthday, when the two boys have planned to come out to their families, Tunde is stopped and fatally shot by a police officer. Following his death, he wakes up the previous morning and becomes trapped in a time loop, forced to relive the day of his murder, which keeps happening in different ways no matter how hard he tries to change it. — Wikipedia

As I watched Steven Silver, the actor who played Babatunde Adesola Johnson, in the movie, I gasped. I inhaled and exhaled broken hearts, defeated conversations, and intense pain. I know what it feels like to keep a secret because the person you love cannot (will not) announce they love you, too.

However, my experience was slightly different.


I am Tunde Johnson

She was like no one I had ever met — a Scorpio with a vast vocabulary, dimples so deep they appeared when she breathed, and a soft and welcoming voice. Words connected us. They were our saving grace, and in them, we toyed with more than just language.

In my 20s, I never thought I would ever fall for a woman who was almost engaged, then engaged, then married, and who became a mother.

We let words on a screen pull us in, caress us, and provide comfort and care when no one else was around. I skipped college classes to communicate with her. I took trips to where she was to see her. We hid in the shadows to be close — skin to skin — to love without thinking of consequences.

But there are always consequences.

Fighting to remain in her life as a demoted figment of a sentient being, I clung to the title of “best friend,” and amongst the loss and shame and hurt of dealing with a drug addict for a mother, the intensity of the workload for classes, and a woman I would never be first to, I began drinking.

I lost myself because I only wanted to find myself with her.

And in the end, I had to realize there was no US. There never could be. She had safety in someone else — she always would have. And I would go back to the shadows alone.

We would not be that happy couple, smiling during dramatic throwback arguments, and married by 30 years of age.

I had to swallow my pride. I had to move on. It took sixteen years before I recognized my worth — sixteen years.

Tunde could recognize this sooner than that.


As a Black bisexual woman, Tunde’s story speaks to me

I know I am not alone in this. After Tunde is stopped (for what, had not been disclosed, but one can quickly gather it is racial profiling — the hideous culprit) by two White police officers when he is on his way to Soren’s birthday party. Watching it as it played out, I immediately knew what would come next.

A gunshot. A fatally wounded Black man. Dead. Why? He was reaching for his cell phone.

The fear of being pulled over by police officers for many of us who are Black and trying to live is real. I am always eyeing my rearview mirror. I tense up when I pass by a squad car. I say quick, breath prayers and move past them as carefully as I can.

I could feel every gunshot as they flew toward his torso. I teared up, watching him fall to the ground.

And every single day, Tunde relives his death, but in a way that many young Black people have died years prior to the inception of this film.

The Obituary of Tunde Johnson, Trailer.

One moment that stands out for me is when he meets Soren’s father, Alfred O’Connor, who is a television host centered on his ill-informed beliefs and says to him, “You have a television show,” and he shakes his head. This comment comes after they have discussed Alfred stating his words and expressions can label him as a racist or a bigot, and he seems to not have a voice in the world.

Ironic, right? He’s a television host with his own show. His voice is louder than many of ours.

The Obituary of Tunde Johnson creeps in, strips itself naked, and rains down on all of us the pain of what it feels like to live while Black and queer in the United States of America.

It puts on screen the sort of looping coverage Black communities go through regularly, watching unarmed Black folks die at the hands of police on the news or social media time after time. — Mikelle Street, Out Magazine, February, 2021


I thought I had moved on. I really did.

And I imagine, some of you, should you opt to watch this movie, will find bits and pieces of your life tangled up in it as well. I thought I had buried enough of that part of my life away that I would not allow the tears to fall.

Sure, I have written many poems for this woman — she was, and I will bet, still is amazing. But, those are fleeting moments — visiting for a few minutes here and there, and then they find their hiding place once again.

But watching this movie and leaning into the depths of Tunde’s reaction after every death silenced me. I sat with my heart in my hands, my mouth agape, and my soul on pause.

We die many deaths while living and we are expected to bounce back from these deaths continually.

Some of us are walking, unhealed calluses of ourselves, never to recover, yet they advise us to shape up or ship out. The proverbial ship will set sail without us.

Maybe I needed this, though. Maybe I had to be reminded of my past, from something that is present, and probably will be a part of my future in order to fully heal.


To be Black (and queer) and alive in America is a death sentence

Babatunde Adesola Johnson knows this, and with every death, he died, he had been given a chance to remain alive in the end.

To think of those who did not survive, will not survive, and have yet to become a statistic, my prayer is that we defy the odds.

I am Tunde Johnson. Are you?


Originally published in An Injustice via Medium.

Out of Touch – Pandemic Haibun Challenge — Becoming Unstuck

Thanks to my dear friend, Tre, for hosting this challenge! Before the pandemic, I wasn’t aware that so many people would miss physical contact with others. How could I not have known something so obvious? By not having thought about it before. I have a bad tendency to scoff at people who are touchy-feely. The […]

Out of Touch – Pandemic Haibun Challenge — Becoming Unstuck

Many of you have seen my post here about the Pandemic Haibun Challenge that’s currently underway in my publication, A Cornered Gurl via Medium. Above is a response to it from a writer here in our WordPress community, Magarisa. Mags is a dear friend of mine; we don’t need to speak every single day or week or month, but we are linked to one another in a way that cannot be described. We always meet back up in the middle, and it’s a beautiful thing.

I follow her for the peace she possesses, her love of language and sharp imagery, and her ability to single-handedly murder a writing prompt.

just let me breathe

I have talked about triggers–how
I’m trying to wade through them,
forgiving you for leaving–loving
you even more for not staying …

you knew how much you
could take, how no form
of fake air could save you.

I try to push through my
nights–try to get myself
ahead without a single tear.
I am unsuccessful in
my endeavors.

that doesn’t mean I
won’t keep trying.
I aim to breathe again
without the stifling pain
of remembrance.

I want to.
and so shall it be.