The Stripping Away of Bare Bones

Musical Selection: The Isley Brothers|Voyage to Atlantis

A Collaborative Effort with BJ Dawson

Photo by Gioele Fazzeri on Unsplash

We, the oppressed are still chained — still
bound to the walls of the majority.
If we breathe the wrong way, a shot to
the lungs while we’re blinking could be
our demise.
Yet . . . they tell us we are free.
If we were free, we’d be able to roam
the streets in our skin — black as night,
beautiful as a half-moon, without fear.

They plummet in our direction — bullets with
no names, claiming our souls one at 
a time. And if that’s not enough, we are being
stripped of our bones while we’re already 
bare — naked as a newborn, cooing in 
the dark, crying to be held — yearning to be loved.
The Powers That Be see no wrong in their ways.
They’re going about business as usual 
while we pull at the air disappearing 
from our sight.

One by one, rights are being struck down — laws
put in place to keep us in place, and pockets
are being laced with almighty dollars to keep
the loud ones quiet. 
Soon we will be wombless, wounded, wound up,
and worked into the plan they have
to be rid of us . . . 
And then, what?

And then, nothing.
Split from the bone,
the many, now the one
lone splinter flees this madness
seeking silence, solace, solitude;
a peace, apart from malicious eyes;
the swarming hornets of untended,
weaponized trauma,
wielding perverse justice as
both heirloom and cudgel,
endlessly frustrated by
never striking flush with it.

They lash out in all directions — targeting
the Other with retribution — both of the
self-proclaimed divine and the
self-indulgent, profane type — never pausing
long enough to reflect, to witness that
there is no They, nor is there an Other;
there is, has been, and will only ever be Us.
Many claim to follow someone named Jesus,
who tried telling us exactly this
before being killed for it.

We, the oppressed are still chained — still
bound by rusted yoke of crumbling society
failing to see how the tie that binds also limits
their own roaming; existentially tragic
how we diminish our horizons
by diminishing fractions of life
over the whole,
all while labeling this farce Justice.

But someone says, “Have faith.
Have hope. Remain open to 
the possibilities of change,” and
we all stand on tired feet, shuffling
to distant places, wondering when
that “Change” will ever come.


©2023 Tremaine L. Loadholt and Barry Dawson Jr., IV

This isn’t our first rodeo. We’ve been collaborating with one another since the early 2000s. Here are a couple of our other pieces. Thank you for reading.

The Isley Brothers, Voyage to Atlantis via YouTube

©2023 Tremaine L. Loadholt and Barry Dawson, Jr., IV originally published in A Cornered Gurl

Two more of our collaborations:

Dead Roses & Understanding the Power of “No”

Cleveland

Flash Fiction Musical Selection|Erykah Badu: Orange Moon

Photo by Julian Myles on Unsplash

Me and her pops had a big fight. I’m talkin’ — the kind that makes a brotha take a step back and think about what’s about to go down before it goes down — that kinda fight. I respect my elders — I got manners, you know. My folks raised me right, but I was just so damn tired of him puttin’ thoughts into Ruthann’s head about me — how she can do better than me.

I mean… Ruthann loves me. She ain’t tryin’ to hear what her pops is sayin’, but I hear him. I see the look on his face when I walk through their door. He hates me — literally hates a brotha.

And listen, I don’t normally feel that intensely about what other folks think of me — but this means something to me. I can’t put my finger on it just yet. But having her pop’s approval is at the top of my list.

Ruthann looks at her pops like he made the damn world. He is the sun, moon, and stars — hell, the entire universe to her. He has her heart and for three years; I cracked at the wall around it and I finally got in. I can’t have him reversing that shit, you know. I’m in there now, and I plan to stay there.

I ain’t stupid. I have my wits about me, and I got plenty of sense. Her folks don’t want her settlin’ down with me — don’t want us intermingling. My people — her people.

They can all pass. You know what I mean, right? They’re light as hell. They are the lightest Black folks I know. Ruthann is sugarcane colored — gently kissed by the morning sunlight. Her eyes are emerald green. Her lips are two finely sliced pieces of sweet flesh added to her face for effect.

When I first met her folks, her mother didn’t even say hello to me. She said, “Boy, you are the color of burnt molasses,” sucked her teeth, and walked off. Her pops looked me up and down — measurin’ me with his eyes. Dude ain’t need no ruler. I knew exactly what he was thinkin’.

I looked around their home — noticed the fine china, the furniture that didn’t come from IKEA, the barely walked-on floors, and the chandelier that dangled above our heads.

Somebody’s blood was royal, and it wasn’t mine.


I never thought I’d fall in love with a girl whose folks hated other Black folks. How much do you have to dislike yourself to look at people of your race like you want to sic the county dogs on them and skin them later just for fun?

Ruthann memorized this quote from Toni Morrison, she tells me sometimes. She tries to get my mind off the drama of her family, but I can’t stop thinkin’ about that shit. It consumes me. She’ll just say it as smooth as her lovely mouth can form the words, and I kid you not — I feel better.

“The function, the very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being. Somebody says you have no language and you spend twenty years proving that you do. Somebody says your head isn’t shaped properly so you have scientists working on the fact that it is. Somebody says you have no art, so you dredge that up. Somebody says you have no kingdoms, so you dredge that up. None of this is necessary. There will always be one more thing.”

And she’ll go on further, “Baby, it ain’t racism in our case, it’s colorism. And I don’t give a damn about who’s lighter than who or who’s darker than who. You know what I give a damn about?” And I play into this every single time, like the man in love that I am. “What, Ruthann? What?”

“I care about you. I care about us.”

The anger leaves me just as quickly as it seeped its uninvited self into my bones. I sink into the tightness of her embrace, and I allow her to be my peace.

She is my peace.


Photo by ziphaus on Unsplash

The fight started because I asked Ruthann’s pops for her hand in marriage. Ha! Listen, I was scared shitless! I sat down in their “main room”, across from the old man, and rubbed my sweaty hands together. My breathin’ was off. My heart was racin’ at the speed of light. I kept stutterin’.

He just sat back in his chair, chest all puffed out like he was some damn washed-up Avenger waitin’ for the call back into action.

“The Shield Family is cut from a different cloth, boy. Ruthann will not marry into one as simple as yours. We have standards. I want what’s best for my daughter, and Cleveland Mabry, you are not it.”

I don’t know what happened — I just saw red. And before I could stop myself, I raised up out of that chair, charged toward her pops, and lunged at him with an anger I couldn’t pull back.

He jumped up, took three steps away from me, and looked like the last days were pouncin’ on his heart. I thought the old man had seen a ghost the way he removed himself from my line of sight.

Ruthann had been standin’ on the other side of the room — just outside the doorway. She heard everything. She had tears in her eyes that were streamin’ down, linin’ her dimpled cheeks.

I hated to see her cry. I told her when we first met that I would never do anything to make her cry — not intentionally. The last thing I wanted to do was make her so mad that tears left those beautiful gem-colored eyes.

I walked over to her, placed my hand within her personal space, and she stopped me. She held up one hand, looked at her pops, then looked back at me. What she said next… floored me.

“Daddy, you do not decide who I will marry. You don’t get to approve or disapprove. You don’t get to design your life around mine to further infiltrate your beliefs into what I deem beautiful within this one life I have to live. If Cleveland wants to marry me. Then we will be married.”

There’s something about a woman standin’ up for you without your consent — without your awareness before it takes place. That night, I fell even more in love with Ruthann.

What the hell were two twenty-three-year-olds going to do on their own without her family’s financial support?

We were going to survive.


She moved out of her folks’ place and we carried everything we could to my house. I’d called my mom on the way over. She wasn’t happy, but she wasn’t mad, either.

We have a spacious, fully furnished basement. It was nothin’ to turn the area into Ruthann’s room.

My pops looked at me like the world had landed itself on his shoulders when I got outta the car. It was like he was tellin’ me something without sayin’ nothin’. And after the day I’d had, I just couldn’t play mind reader.

I walked past Pops and into the livin’ room, placed Ruthann’s bags on the floor, and led her downstairs to the basement where she could get herself ready for dinner.

When I came back upstairs, Pops was standin’ right there — arms folded — body language sayin’ a firm, “There’s only one man in this house, boy,” and I heard him loud and clear.

This wasn’t gonna be our home, either.


After dinner, I walked Ruthann down to the basement. I told her exactly what I knew I needed to. I watched her dancin’ eyes, her radiant smile, and her regal presence lean in to give me her full attention. The room smelled like her — like jasmine and fresh rain — like sage and Nag Champa. I choked on my words.

“We… we can’t stay here. Ain’t nobody said anythin’ yet, but it’s comin’. And Ruthann, I’d just rather not be here when it does. I’m tired of runnin’ into storms because we love each other. I’m so damn tired. Tomorrow, I’m gon’ pick up an extra shift at work for however long it’s gonna take to save up and get outta here.”

“So, you think you have to do this on your own? You don’t. We are a team, Cleveland. I’ll pick up a few more hours at the library, and I’ll make a significant withdrawal from my savings account. We are going to be okay.”

At that moment, I knew I’d made the right decision. I knew the woman who stared back at me with eyes of emerald green and skin matched by the glimmer of first light would be with me forever.

Because it felt like the right time, I slid the ring from my pocket and got down on one knee. I looked up at her — a lump formed in my throat — my hands got sweaty. I took a deep breath in and said, “Ruthann, I would like it very much if you chose to stay with me for life. Would you marry me, please?”

I could feel a smile growin’ on my face — one that settled there longer than it probably should have. I was safe. She said, “Yes.” Actually, she said, “Come here, silly! Hell, yes!”

And every time I wonder what will happen to us — who will try to separate us because of where we each come from …

I sink into the tightness of her embrace, and I allow her to be my peace.

She is my peace.


Originally published in Lit Up Magazine via Medium.

impression

Photo by Nibret Sanga via Pexels

I couldn’t fathom
how my voice could
make a first impression–how
it would change the
atmosphere of a patient’s
life who was suffering
from post-menopausal
bleeding.

when you can hear the
tension easing its way
out of someone’s body
because you made them
laugh, reminisce, and
think of their happiest
memory, how you
“sound” is an afterthought.

“You just have the most
soothing voice, and I
hope they send me a survey
because I will definitely
fill it out.”

I haven’t been able
to stay in the boxes
created for me; not then,
not now, and as long as
I have the ability to
impact another human
being’s life in a positive
way, I doubt I ever will.

cages don’t have enough
metal to hold me–to glue
me to their posts.
I break free.
I always … always
break free.

When 3 Black Women Meet Country Music

You get Chapel Hart and it’s Black Joy

Photo Credit: Alexis Carter, Courtesy of Sounds Like Nashville

I am not a fan of America’s Got Talent. I do not watch the show, but I have a very close friend who shares videos of performances with me she believes I’ll love. She is always right. Thanks, Alexainie!

The following performance, which aired on July 19, 2022, led me to view the video not just once, but multiple times. The pure joy that shot through my body while watching these beautiful young ladies give their gift to the hosts and to the crowd is unmatched.

AGT, Chapel Hart, Group Golden Buzzer

This had definitely been a Black Joy moment for me. And my heart was so full and happy — I nearly burst at the seams. To watch these young ladies live out their dream on stage, and tear the house down, too?! There are no words for it — it’s indescribable.

*Black Joy is …
Black Joy possesses a range that is boundless and is not easily defined.

The most accurate definition is:
Black Joy is anything that inspires, supports, and uplifts Black culture.

I can click on the video day-in and day-out and get the same results: a teary-eyed, moved, and emotionally charged Black woman who is incredibly excited and ecstatic for each of them. They knew what they wanted to do — they pursued it, and here they are — living out their dream, despite the hardships and closed doors in their paths.


Exploring the avenues that led to Chapel Hart

Naturally, I wanted to learn more about Chapel Hart, this all-Black woman’s group that leaned toward Country music instead of R&B, Neo-Soul, the Blues, Gospel, etc. All three ladies have amazing voices, but the frontwoman, Danica, belts out notes from the depths of her soul, and when you listen to her, one cannot help but be moved.

The trio is two sisters, Devynn and Danica Hart, and their first cousin, Trea Swindle. They hail from a small town outside of Poplarville, Mississippi, called Hart’s Chapel. According to the group, they are only 3 of 108 grandchildren. Their grandmother had 17 children, and they populated their small town.

Growing up in a family where music had always been present, it seems only fitting they would succumb to music as passionately as they have. Listening to them, I can hear the determination, the pursuit of their dreams, and their backgrounds too.

There is a distinguished tone and a three-part harmony that makes up their unique sound. It’s safe to say they are breaking down doors and stripping away barriers. They are clearly making history, and isn’t it about time?

Chapel Hart, I Will Follow, ©2021

I am not a fan of country music — not really. I like some country music singers, but I can count them on one hand. Chapel Hart entered my world at the right time. I needed something to stir me — lift me from some dark spaces — keep me on my highest points for more than two days in a row. I think I may have found what I had been seeking in their soulful voices.


Catching the eye of Dolly Parton and some other legends

If you took the time to watch the Golden Buzzer video courtesy of America’s Got Talent, you know the ladies are big fans of Dolly Parton. They even say jokingly (but maybe not?) “Dolly Parton for President” in the clip as well.

With their spin on “Jolene,” their original song “You Can Have Him, Jolene (which is #1 on iTunes for Country music),” attracted the ears and eyes of … you guessed it, Dolly Parton.

©July 22, 2022, Graeme O’Neil

And it did not end there. Loretta Lynn chimed in and wondered (out loud) what the group could do with one of her songs. And it just keeps getting better for Chapel Hart, as Darius Rucker announced they will be on his new album, too.

When you have been given shout-outs and acknowledgments from some of the heaviest hitters in the genre of music you have fought to be a part of for so long, the feeling has got to be an unbelievable one. I imagine Chapel Hart constantly pinching themselves to make sure they’re awake.

If the above doesn’t send your heart soaring for this group, maybe the following will:

In 2021, Chapel Hart was inducted into CMT’s Next Women of Country, the institution that has been known to help up and coming female country artists such as Kelsea Ballerini, Ashley McBride, & Gabby Barrett… to name a few. This Mississippi trio’s music has reached fans around the globe earning them the title of “International Group of the Year” as well as “International Song of the Year” for the single “You Can Have Him Jolene” in Scotland. — Chapel Hart, Bio

I said I would follow them from the first moment I watched their performance video on America’s Got Talent that catapulted them into the spotlight (where they belong), and I have been.

Their story is an intriguing one, and it gives me hope for various twists and modifications to the expected traditional sound of country music.


We needed a high point, and here it is

After everything we have been through over the past few years, Black people needed a high point — a marked moment of excellence and joy. Here it is.

Chapel Hart may be a country music group, but you can hear Funk, Gospel, Rock & Roll, and Pop. They even put their stamp on the Star-Spangled Banner in 2019 for an Orlando Magic basketball game.

Prior to learning about them, I had said to myself, “How much more bad news can we take? How much more is there?” When all your nation has subjected you to is bad news that leaves a sour taste in your mouth, a little good news is welcome.

I may turn on the TV tomorrow and find another Black man or Person of Color dead by a senseless act of violence committed by someone of authority, children slain within the very walls that were once deemed safe, a baby or pet left in a hot car for ten to thirty minutes while their parent or the owner simply “forgot about them” in the backseat, and the list goes on.

But today, at this very moment, I will leave tomorrow where it is and embrace the excellence that is Chapel Hart.

The group skipped down their very own yellow brick road, locked hands with country music, and created Black Joy.

And it is such a beautiful thing.


Originally published in An Injustice Mag via Medium on Tuesday, August 02, 2022.

Gratitude for the Future

Last night, I started keeping a gratitude journal for a recently introduced venture to take place in the near future. I journal regularly, but only to write out my thoughts, feelings, and perhaps the day I’ve had for reflection.

I am thankful for the gifts & talents with which I’ve been blessed, and it is an awesome experience to have people recognize them.

Below is a picture of the quote on the front cover of my journal.

Sunday has given me another chance to wake up and do great things to help and shine a light on some beautiful people. And I am going to do that.

I think I am headed in the right direction. I hope your day will be an outstanding one!

Front Cover Journal Quote Photo Credit: Tremaine L. Loadholt