the artist remembers being unknown

theartist
Nude woman sketch drawing by Lavi Perchik via Unsplash

a reflective poem

the artist —
he sketches women
who won’t look at him.
I watch him create worlds
with charcoal and the
press of his fingers.

I buy his art
the next day in a Mom and Pop
art boutique around the corner.
I tell the shop owner,
“I used to know him,”
that was a long time ago.

he blows dust from
the pages, the artist —
sketching women
who won’t look at him.

“I used to know him,”
but I don’t anymore.


Originally published in Intimately Intricate via Medium.

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Creative content straight from the mind of an innovator trying to shift the world with her writing.

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Non-fiction Saturdays

Experiencing Frida Kahlo

And The Connection Her Art Has To Firsts

Capturing me capturing Frida. Photo by Sherry Kappel

At the invitation of Sherry Kappel, I traveled a stone’s throw away from my city to the North Carolina Museum of Art in Raleigh, North Carolina. The purpose? To meet up with Sherry in order to experience the Frida Kahlo, Diego Rivera, and Mexican Modernism from the Jacques and Natasha Gelman Collection. I had never been to this museum before. Firsts are nerve-wreckers for me. I knew I’d be around quite a bit of people, perhaps in close proximity to them as well and I tried my best to subdue any anxiety that was drumming up.

Add to this the fact that I would also be meeting the young ones Sherry was hosting from Brazil and I had to talk myself down from becoming a bag of nerves and worry. I cannot be anyone but myself and oftentimes, I worry how I will be perceived.

It was evident moments after meeting the young ones — I had no need to worry or fret. I was met with big smiles and delightful personalities and I was instantly reminded of just how glorious it is (sometimes) to meet new people.

The North Carolina Museum of Art, from what I could cram into my scope with the amount of time allotted, is vast, with structural art pieces perfectly placed on its grounds. To be one of the many people attending this popular exhibition blew my mind. I was going to experience Frida . . . This was huge!

Kahlo’s work is deeply personal, often depicting her own dreams, painful personal experiences, and affinity with Mexican culture, while Rivera’s more public art portrays everyday people swept up in industrial and cultural revolution. — NCMA

I cannot be anyone but myself and oftentimes, I worry how I will be perceived.

Taking in my surroundings, I gave myself a silent pep talk and a pat on the back. The experience would be a remarkable one. And it was.


Calla Lily Vendor, Art by Diego Rivera. Photo Credit: Tremaine L. Loadholt

The layout of the area for the exhibition did not seem overwhelmingly large but big enough for us to wind around several times, getting lost in the indescribable creativity set before us. This was a bucket list event I did not know I wanted, but now, it can be scratched off. The exhibition begins with a few of Diego Rivera’s mural-styled vibrant pieces and some noted others but jumps into the eye-catching portraits of Frida Kahlo as well as many pictures of her and Diego taken by friends and family.

Girasoles (Sunflowers) by Diego Rivera. Photo Credit: Tremaine L. Loadholt
Self Portrait with Braid, 1941 by Frida Kahlo. Photo Credit: Tremaine L. Loadholt
Frida Kahlo With Magenta Rebozo, “Classic”, 1939 by Nickolas Muray. Photo Credit: Tremaine L. Loadholt

We all filed down the line pressing our eyes upon the many works before us, reading their descriptions, absorbing their intensity, and snapping photos to capture their beauty. Everyone came with their “inside voices” and their “listening ears.” It was as if each of us understood the importance of this first and how Frida Kahlo and her art demands our full attention.

Few artists have captured the public’s imagination with the force of Mexican painter Frida Kahlo (1907–54) and her husband, the Mexican painter and muralist Diego Rivera (1886–1957). The myths that surrounded them in their lifetime arose not only from their significant bodies of work, but also from their friendships (and conflicts) with leading political figures and their passionate, tempestuous personal relationships. — NCMA

It was hard not to snap photos at every turn. I wanted to be able to have my own digital file to reflect upon how exceptional being in attendance for this was for me. Sure, I can rely on my memory to recall the visual displays, but I want to be able to view the details of the pieces I found astounding. And with these photos, I am able to do that for years to come.

Self Portrait with Necklace by Frida Kahlo. Photo Credit: Tremaine L. Loadholt
Nickolas Muray, “Frida with Olmeca Figurine, Coyoacán”, 1939. Photo Credit: Tremaine L. Loadholt
The Love Embrace of the Universe, the Earth (Mexico), Myself, Diego, and Señor Xolotl, by Frida Kahlo, 1949. Photo Credit: Tremaine L. Loadholt

The exhibition took about an hour and ten minutes to view. The girls were just as astounded as both Sherry and I and it was interesting to hear their thoughts and their excitement about an artist who lived and was of high caliber status before all of us. What was also evident is that we all seem to have in common great appreciation and love for her work. Not only did we enjoy this first together, but I also had the opportunity to have lunch with all of them. We traveled to a pub-style deli restaurant aptly named Village Deli & Grill not far from the museum.

There, I ordered the shrimp po’boy and sweet potato fries (which was delicious, by the way). While munching on our food, we fell into conversations with the young ones on how different their areas of Brazil are and how at their current view of the United States, the similarities and differences promptly jump out. I was listening to these two young ladies — both very strong-minded and outspoken, share their thoughts and the first thing that popped into my mind was, “I wonder if they write.” What they said and how they said it needed recording or documenting of some kind.

I also thought, “Yes, these are two of the people who will lead us into betterment.” It was a pleasure to watch them express themselves, yet allow one another the floor when necessary. Their cultural differences related to ours stood out and I had no choice but to take notice. I learned a lot during my time spent with them and it all began with an invite and Frida Kahlo. The connection I felt from one common interest is what I needed this past weekend. I am looking forward to many more firsts this year.

I have more growing to do.


Originally published in P.S. I Love You via Medium.

 

Donation

Creative content straight from the mind of an innovator trying to shift the world with her writing.

$1.25

Young Minds of Medium

I am posting this here since it is the first challenge of the year. I will also post the last challenge of the year via ACG on WordPress as well.


snohaalegra
Snoh Aalegra

Young Minds of Medium

What Is Your Favorite Song & How Does It Inspire You?

What is your favorite song? How does that song inspire you? How does it move you? What does it engage in your mind, heart, and soul that you simply have to share how you feel with others when you hear that song? Is it the lyrics? The melody? The sampling or longevity of the artist?

Poetry
Micropoetry
Fiction (no more than 850 words)
Non-fiction (no more than 850 words)
And, your heart. ❤


•You will need to be a current user on Medium for this challenge. Request to be added as a writer by emailing me at acorneredgurl[at]gmail[dot]com with “Please Add Me” as the subject line. For the young ones, ages 15–25 already contributing to ACG, please submit your work in draft-form directly to A Cornered Gurl for review, scheduling, and/or publishing. You can submit twice per week, your works will be published on Monday and Friday of that week.

Please have a suitable image for your work with notable credit to its source/artist (Please include the link!). You can find plenty of great images via UnsplashPixabay, and PexelsIf you are the source for your image, please caption that.

Please subtitle your entries “Young Minds of Medium Music Call” and tag your pieces with the following: “Growth” & “Music.” CHALLENGE SUBMISSION BEGINS NOW!

The start date for publishing the YMOM pieces is Monday, February 3, 2020, and the end date is Friday, February 28, 2020. Other contributors to ACG, please, no worries. You can submit as you normally would to A Cornered Gurl and your work will be published as well, however, a total of three pieces will be published on Mondays and Fridays for all other writers, leaving the floor wide open for our young ones. I hope you will understand and accept this.


*Please remember that A Cornered Gurl is a read-for-all community and there will be no metered paywall or locked pieces published here. Thank you!


And now, my current favorite song by Snoh Aalegra:

Young ones, this is your first challenge of the year. Please bring it, loves!


Originally published in A Cornered Gurl on Medium.

To Be Lonely In Love

Fear by Maria Iakunchikova–1893-1895

I feel tightness in my bones,
breathing at night is exhausting . . .
But morning gives me another
opportunity to appreciate life.
You notice that I cut
my hair.

You tell me that you miss
the way it hung past my shoulders,
free-flowing like the wind.
I nod, make mindless conversation
with you, small talk.

We kiss,
our lips barely touching.
I feel nothing.
You remind me to take the
steak out of the freezer for
dinner.

The red potatoes, you say, will
be a great partner.
I remember the fresh asparagus
we bought from our grocer’s
a few days ago.
We plan to be home by 6 pm.

I spend five hours at work
drowning myself in everything
but you.
You call promptly at 11:30 am
to inquire about the steak
as if I’d forget to let it thaw.
We chit chat, I tell you
a meeting is beginning without me
and we end the call.

I flashback to when my heart
thumped nonstop at the thought
of you, when I raced home to
sit near your lazy arms on
our comfy couch, and when

your voice stirred me up
with overwhelming feelings.
I come back to now
and do everything within my
power to forget who you were.
It makes loving you easier.
It makes living with you tolerable.
But, I am still lonely.


Here is another recently rejected poem by a prominent literary magazine. What better place to share it than here? Thank you for reading.

down to the last drop

A Love Sonnet

Two Lovers by Yanagawa Shigenobu via Wikicommons

we’ve all that we need for our love to bloom,
the scent of you amazes me, it’s true.
my cool, I lose when you are in the room,
for this, in others, I searched–there’s no clue.

weeping eyes share our sentiment, my love
I need you like the sun needs the daylight.
my heart in your hands, this gift from above,
contained between us two with great delight.

I sip the sweetest nectar from your lips,
filling my soul with every ounce of you.
I’ve listened to the wise ones, learned their tips–
it is you who keeps me from feeling blue.

our journey into love will never stop,
you have my whole heart, down to the last drop.


This completes my practice run for sonnets. I hope you’ve enjoyed each one. I will resume them later in the year. This is Love Sonnet #6. Thank you for reading.

not afternoon tea

A Love Sonnet

Afternoon Tea by Alice Bailly-1927

the divine women of cedar creek lie,
they make up stories and tell tales all day.
bemoaning love and lust, three of them sigh,
“what more can a mere woman do,” they say.

their naked bodies flailing in the sun,
each has her own way of being in tune
with nature, with heaven–things on the run,
with them, the best month for this is sweet June.

“and why should we worry, we’ve all we need?”
one says as she sips on afternoon tea.
“society’s issues can’t harm my creed,
I’m happier now than I’ll ever be.”

these women of cedar creek, they mean well,
of lust and of love, they’re under their spell.


For the next two posts, I’ll be finishing up the sonnets. It has been an extremely long time since I pulled these babies out. Prayerfully, you’ll go easy on me. This is Love Sonnet #5.