Scattered Words

Poems for Jernee Timid Loadholt

The cover (front and back) for Scattered Words: Poems for Jernee Timid Loadholt. Photo Collage Credit: Tremaine L. Loadholt

4 sections. 24 poems. 9 original photos (digitally animated by Google Gemini). 40 pages. 1 dog who is no longer with us.

The tentative publishing date is January 12, 2026, four months after Jernee’s passing.

In Scattered Words: Poems for Jernee Timid Loadholt, the author wants you, the reader, to experience Jernee in totality, and understand why she has lost the greatest companion she has ever known.

If you have ever grieved the loss of a pet, many of these poems will not only resonate with you, they will set up holding spaces in your mind, crawl into your heart, and retreat only when they have been commanded to do so.

You will laugh, cry, nod in agreement, and reminisce about your furry family member(s) and how they have become your strength. Grief is not linear, and every creeping moment it decides to invade your heart, there is a poem in this book to greet it.

In Scattered Words…, Tremaine celebrated, lamented, grieved, loved, and released Jernee Timid Loadholt. Every day, she will probably do these things againnot necessarily in that order.

If you have never met a dog who had the uncanny ability to be more memorable than some of the people you know, with this book of poems, you will have your chance.


God gifted me peace in living form, and I will never forget her, not ever.


Have you gotten your copy of SéduireSerial Tales & Flash Fiction at Lulu in E-Book Paperback versions, or Amazon in Paperback (only) yet?

I am on Substack as well. Poking the Bear’s Belly for Fun is a place of healing as I speak about recent events with a previous place of employment, as it pertains to racism and discrimination, growth from the transition after resigning from that company, and life’s foibles and overall experiences. I welcome your visit.

Saving Bruce Dennis

Introducing Charlie Rhett Baylor

The image above is from Getty Images. It is a vintage photo of a young boy sitting at a table and looking mischievously at a whole turkey on a platter garnished with lettuce and tomatoes. The boy wears a suit jacket, dress shirt and tie, and his hands are folded and placed on the table. An empty dinner plate, a smaller plate with a dinner roll on it, and a full glass of milk are in front of him.

Bruce Dennis is getting so far up that the girls wail out to her, pleading for her to get back down to safety. The poor cat sits unbothered, still attached to ten red heart-shaped balloons, drifting by a will not of her own. They stomp their feet and cry out with impatience. Kinley Chris shouts downstairs to their grandmother—screaming for her help—begging her with plump tears in her eyes for her to do something.

“Grandma! Bruce Dennis is flyin’ up more and more. We need to get her down! Grandma, please!”

But their grandmother was in the very place she was before all the commotion began. The girls have no idea she is the one who hitched Bruce Dennis to the balloons—swatting the cat away for breaking her favorite vase. She had said so many times before her art room was off limits. She is going to show them better than she can tell them. But before she would wiggle her overgrown self from the vintage loveseat perfectly placed next to the only window in the art room, their young ginger-haired neighbor, Charlie Rhett Baylor, raps at their door.

“Kinley and Wayne!!! I see Brucie up in the sky. What is goin’ on, y’all?!” In between his yelling, there were frantic knocks at the door. Charlie is also thinking of a way to get the fat cat down while he continues to knock and yell. His father, Hank Baylor, is the Deputy Sheriff in town, so Charlie has a few tricks up his sleeve that will surely secure the fat cat soundly.

Wayne Donald shoots down the stairs quicker than an incoming evening tide and swings the door open. She notices Charlie’s Sunday Best attire, then waves for him to enter their home. Kinley Chris strips the bedding off the guest room’s twin mattress and tosses it out the window. She is thinking they can shoot the balloons one by one with her slingshot or BB gun, and get Bruce Dennis to land on the mattress, but they have to be quick. When Charlie meets her in the guest room, she rattles off her plan to him, and he throws his suit jacket on the box spring, kicks off his loafers, and races back downstairs so he can place the mattress in the spot where Bruce Dennis would land.

Kinley Chris loads the BB gun with .177 caliber pellets, flings the gun over her shoulder, and sets up shop right in front of the old window. Like a focused sniper, the eldest sibling tilts her head to find the subject, braces her legs for shifting, and kneels down in an experienced shooter’s position. She yells down to Charlie, who is in a frenzied state, trying to track Bruce Dennis’ landing position.

“Charlie Rhett Baylor, you gotta good eye on Brucie? I ain’t aimin’ to kill my cat when she falls, so you besta be movin’ that mattress in the right direction!”

“Yeah, I’m watchin’! I’m watichin’ ya, Kinley. You just let those bbs rip, and my eyes will be on the fat cat prize.”

Kinley Chris launches the first three pellets with vigor and swift calculation. Two more pellets follow, and Charlie is monitoring every hit and is maneuvering the mattress as if his life depends on it. Kinley Chris launches two more pellets, and Wayne Donald wails in exclamation—deathly afraid of a negative outcome.

Just before Kinley lets the last three pellets fly, Bruce Dennis is falling down at a pace none of them expects, and Charlie has his eyes on her—keenly assessing the situation as every second passes.

“I’m lettin’ these last three rip, Charlie! Make sure that mattress is placed right. Looks like Bruce Dennis is comin’ right at ya!” Each pellet hits its respective target, and the fat cat meows loud enough for the whole block to hear. She lands with a pounding thud on the mattress on her eight-lives-left paws and quickly runs toward the shed behind the house.

“Wayne Donald!” Kinley Chris turns to her sister to give the final instructions. “You go on to that shed and make sure she ain’t got no bruises or nothin’ like that, and take her a fresh bowl of milk and open a can of that good tuna for her, too.”

Charlie waits until he sees Wayne Donald, then hurries up the stairs to grab his suit jacket and loafers. His day of helping the neighbors is over, and now he has a story to tell his highly decorated Deputy Sheriff of a father.


Bruce Dennis won’t even look in the art room’s direction. She will never trust the girls’ grandmother again.


This piece is my offering for this week’s Melissa’s Fandango Flash Fiction Challenge, #348. We had to save Bruce Dennis; we simply had to.

Part I and Part II

smelling death

Jernee Timid, losing all of her energy after the initial injection on her last day with us. Photo Credit: Tremaine L. Loadholt

near the end, I think
my neighbor’s dog could
smell death on Jernee–could
identify she didn’t have long.

and every time I saw them
walking toward us, I’d stiffen.
my body would become a
tabernacle–solid and silent.

he’d sniff his friend, searching
Jernee for evidence of life,
and when he didn’t find it,
he’d whine to his mom.

it wasn’t until Jernee’s last
couple of days on this earth
that I realized Winnie, in his
own way, had already mourned
Jernee’s life.

he’d been greeting her death,
and I just didn’t want to
believe it.


Have you gotten your copy of SéduireSerial Tales & Flash Fiction at Lulu in E-Book Paperback versions, or Amazon in Paperback (only) yet?

I am on Substack as well. Poking the Bear’s Belly for Fun is a place of healing as I speak about recent events with a previous place of employment, as it pertains to racism and discrimination, growth from the transition after resigning from that company, and life’s foibles and overall experiences. I welcome your visit.

Life in Photos #1

Daily photographic musings

Autumn colors. Photo Credit: Tremaine L. Loadholt
Zenith, my new plant baby. Photo Credit: Tremaine L. Loadholt
Cozy (The view from one side of my living room). Photo Credit: Tremaine L. Loadholt
Cozy 2 (My new chair, the beige one, is as comfortable as it looks). Photo Credit: Tremaine L. Loadholt
Smoked Turkey Stew (smoked turkey, turnip & mustard greens, onions, bell peppers, red & new potatoes, cherry tomatoes, chicken broth, & Basmati rice). Photo Credit: Tremaine L. Loadholt
Antique. Photo Credit: Tremaine L. Loadholt
Antiques. Photo Credit: Tremaine L. Loadholt
The Bluest Butterfly. Photo Credit: Tremaine L. Loadholt
Zumi Tye’s Terrarium Adventure. Photo Credit: Tremaine L. Loadholt

Have you gotten your copy of SéduireSerial Tales & Flash Fiction at Lulu in E-Book Paperback versions, or Amazon in Paperback (only) yet?

I am on Substack as well. Poking the Bear’s Belly for Fun is a place of healing as I speak about recent events with a previous place of employment, as it pertains to racism and discrimination, growth from the transition after resigning from that company, and life’s foibles and overall experiences. I welcome your visit.

Poem for an Image

#10: A Senryu, Collaged Real & Cartoon’d Tre

Heading Out: Saturday, November 01, 2025. Photo Collage Credit: Tremaine L. Loadholt|Cartoon’d Tre by Google Gemini

GAINING confidence
“fifteen minutes at a time”
l i v i n g without her


Have you gotten your copy of Séduire: Serial Tales & Flash Fiction at Lulu in E-Book Paperback versions, or Amazon in Paperback (only) yet?

I am on Substack as well. Poking the Bear’s Belly for Fun is a place of healing as I speak about recent events with a previous place of employment, as it pertains to racism and discrimination, growth from the transition after resigning from that company, and life’s foibles and overall experiences. I welcome your visit.


Sometimes, I Just Need Poetry

An audio lamentation for Jernee and this battered world of ours

Jernee Timid’s paw prints, courtesy of our vet’s office. Photo Credit: Tremaine L. Loadholt
Sometimes, I Just Need Poetry by Tremaine L. Loadholt

my baby’s prints came today…
her paws…
I’d been waiting for them
since the 12th of September.
a lovely sympathy card
accompanied the red pieces
of art, neatly tucked behind them.
every member of our vet’s office
signed it.
their words and names crowding
the corners.
I smile. I cry. I remember the
best part of my life
no longer exists.

I stand at the edge of
my kitchen, shifting on
the balls of my feet. I am
shaking. I tilt my head to
look at each print, and the
smell of Jernee wafts across
the room and lingers in the
hallway. she’s still alive
in me; she hasn’t let go.
or, maybe I’m still holding on?

Zumi pats at the glass of its
terrarium, bargaining for my
attention, and I rush over to
see what the fuss is about.
food? check. water? check.
I think it just wants to hear my
voice, so I call its name in
a sing-songy way to appease it.
Zu-mi, Zu-mi, Zuuuumiiii.
what a silly tortoise you are.
it looks up at me and then
walks with urgency to its
hidey-hole.
we all need comfort.
tortoises are not exempt.

our home is quieter than it’s
ever been. the tapping of
paws are no longer morning
gifts or late-night signals of
an impatient senior dog who
“had me at, hello.”
I don’t know what I’m doing
with this life of mine now,
I’m just mulling on—making do.

I say that all I need is work—to
keep busy, but I think I am
telling myself this because I
am afraid of what will happen
to me if I sit down and focus
on every passing thought of
a love that was the greatest
love I’ve ever known.
where will I land if I
give my heart permission to
break and stay broken?

is there a name for people
who are no longer whole
without the pets they spent
nearly two decades becoming
one with? I don’t like having to
answer the same questions
every other day: “How are you?”
How are you holding up?”
“What are you doing with
yourself now?”

I wish there was a perfect way to
say, “I am cracking and folding
into myself because somehow
I no longer feel safe alone
with my brain, heavy heart,
and dying soul. somehow, I
no longer feel safe in this
body. something is not right.
something is not right.

it’s more than losing Jernee,
it’s all the ick of the world
that is seeping into our
skin, making our veins its home.
we’re trapped.
so, sometimes, I just need poetry
when everything is wrong
around me, and there’s no
guarantee it’ll change.

I need poetry to help me
remember who… and why
I am.


Originally published in Poking the Bear’s Belly on Substack.